SONiVOX VocalizerPro v1.3 WiN 289 Mb Part instrument, part processor, Vocalizer Pro is the ultimate instrument expansion tool. Offering endless sound-sculpting possibilities, Vocalizer Pro is ready to harmonize, modify, fortify, enhance, and re-synthesize any instrument-or any sound-in ways you never thought possible. Two rows of MIDI-mappable pads provide unbelievable performance control. The top row saves snapshots of parameter settings, while the bottom row stores multi-note chords for expressive real-time interaction. Vocalizer Pro is a totally unique MIDI controlled effect processor that can transform any audio track, any audio source, or the output from any VI in your DAW host into an unbelievably lush, musical, performance instrument. It’s unlike anything you’ve ever heard. Foxconn p4m800p7ma rs2 drivers windows 7. But once you do hear it, you’ll wonder how you lived without it.

Vocalizer Pro introduces advanced formant shifting to really make things pop. Take a look at Vocalizer Pro. The main screen reveals four nearly identical Spectral Synthesis Modules. These four Modules can run be routed in, around, and through each other in various combinations to increase your sonic potential.

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Each Module includes a target pitch range for effective resynthesis. Take your pick from 16 Spectral Synthesis types. Next up is your choice of over 16 filter configurations with full envelope, cutoff, resonance, and saturation controls. Add to that a sync-able LFO with multiple waveforms, pitch envelope, balance control-and you can see how each Module can pump new life into your sound. Now start combining the Modules anyway you want and the possibilities are endless. Once you’ve conjured that spectacular sound, play it in performance as only Vocalizer Pro can. Two rows of completely MIDI-mappable performance pads are the key.

Use the first row to memorize Snapshots of alternate parameter settings, and switch between them instantly for blazing performance power. Set up simple or complex chord voicings on each pad in the second row. Now you can leap into action and navigate chords changes and swap settings in performance-either from the screen.

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The bright, jangling tones of an acoustic guitar fit in with almost any instrument, sound beautiful on their own and are a perfect accompaniment for the human voice. But where did it come from, and how do you know which is right for you? Musician's Friend has a wide assortment from the biggest acoustic guitar makers around as well as smaller, more niche brands. We've got everything from affordable entry-level starter packs for younger players to highly detailed one-off guitars for gigging professionals and collectors. A Brief History of the Acoustic Guitar You may be surprised to know the acoustic guitar's roots go back to Ancient Egyptian.

A lute was a hollow-bodied wood instrument with multiple strings attached to a soundboard via a thin piece of wood (the bridge). The strings were stretched in a parallel fashion across a soundhole, and wound taut to a peg or post (tuners) atop the neck. The tension of each string was adjusted to create a pattern of frequencies familiar to those who played it.

The lute had a teardrop-shaped soundboard, bowl-shaped body and a sharp bend in the neck. A lutist, much like today's guitarist, strummed or plucked the strings with their fingers or a plectrum (what we call a pick).

The sound produced was created by the air being moved around the string vibrations, the vibrations coming off the soundboard, and the air resonating back out from the body chamber through a soundhole. Fingers on the 'neck' hand change the pitch of a string by pressing it firmly against specific spots along the neck top (fingerboard).

Though the lute was used through the Baroque era, the inspiration for the name 'guitar' showed up back in 13th century Western Europe with the 'gittern.' Similar in design to the lute, its body was carved out of a single piece of wood and had a smooth or straight neck joint.

In the 15th century, Spain introduced the vihuela, a flat-backed, peanut-shaped design with a less pronounced neck bend and pairs of strings tuned in unison. Roughly 350 years later, Spanish-born guitar maker Antonio Torres Jurado created a larger body design and introduced fan bracing for internal reinforcement. This made what we now call the nylon-string, Spanish or classical guitar, louder with better projection and a cleaner tone.

In 1916, C.F. Martin & Company developed the square-shoulder dreadnought acoustic guitar. Named for the large battleships of the time, it was wider, deeper and yielded more volume, with a rich, well-rounded tone. Popular with the folk and bluegrass guitarists of the time, it is still the best-selling acoustic guitar shape today. Around that same time, banjo and violin manufacturers experimented with telephone transmitters to amplify the vibrations of the soundboard so guitars could be heard over the louder brass and drum sections of the era's big band setup. As technology evolved, piezoelectric transducers or condenser microphones became the norm for 'picking up' the vibrations of the acoustic soundboard.